NOW A MAJOR FILM STARRING RACHEL WEISZ AND SAM CLAFIN
‘Du Maurier is a storyteller whose sole aim is to bewitch and beguile’ NEW YORK TIMES
‘Du Maurier has no equal’ SUNDAY TELEGRAPH
‘ . . . one of her best novels, ingeniously contrived as to plot, successfully realized as to characters’ KIRKUS REVIEWS
‘I threw the piece of paper on the fire. She saw it burn . . . ‘
Orphaned at an early age, Philip Ashley is raised by his benevolent cousin, Ambrose. Resolutely single, Ambrose delights in making Philip his heir, knowing he will treasure his beautiful Cornish estate. But Philip’s world is shattered when Ambrose sets off on a trip to Florence. There he falls in love and marries. Then he suddenly dies in suspicious circumstances.
In almost no time at all, the new widow – Philip’s cousin Rachel – turns up in England. Despite himself, Philip is drawn to this beautiful, sophisticated, mysterious woman like a moth to the flame. And yet . . . might she have had a hand in Ambrose’s death?
‘Du Maurier is a storyteller whose sole aim is to bewitch and beguile’ NEW YORK TIMES
‘Du Maurier has no equal’ SUNDAY TELEGRAPH
‘ . . . one of her best novels, ingeniously contrived as to plot, successfully realized as to characters’ KIRKUS REVIEWS
‘I threw the piece of paper on the fire. She saw it burn . . . ‘
Orphaned at an early age, Philip Ashley is raised by his benevolent cousin, Ambrose. Resolutely single, Ambrose delights in making Philip his heir, knowing he will treasure his beautiful Cornish estate. But Philip’s world is shattered when Ambrose sets off on a trip to Florence. There he falls in love and marries. Then he suddenly dies in suspicious circumstances.
In almost no time at all, the new widow – Philip’s cousin Rachel – turns up in England. Despite himself, Philip is drawn to this beautiful, sophisticated, mysterious woman like a moth to the flame. And yet . . . might she have had a hand in Ambrose’s death?
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Reviews
Du Maurier has no equal
She wrote exciting plots, she was highly skilled at arousing suspense, and she was, too, a writer of fearless originality
From the first page . . . the reader is back in the moody, brooding atmosphere of Rebecca
From the first page . . . the reader is back in the moody, brooding atmosphere of Rebecca
In the same category as REBECCA, but an even more consummate piece of storytelling
No other popular writer has so triumphantly defied classification . . . She satisfied all the questionable criteria of popular fiction, and yet satisfied the exacting requirements of "real literature", something very few novelists ever do
This comes closer to Rebecca than anything Miss du Maurier has done and is, I think, one of her best novels, ingeniously contrived as to plot, successfully realized as to characters
