‘There were many staff at Kensington, fulfilling many roles; a man who was employed to catch rats, another whose job it was to sweep the chimneys. That there was someone expected to hunt Demons did not shock the new Queen; that it was to be her was something of a surprise.’
London, 1838. Queen Victoria is crowned; she receives the orb, the sceptre, and an arsenal of blood-stained weaponry. Because if Britain is about to become the greatest power of the age, there’s the small matter of the demons to take care of first…
But rather than dreaming of demon hunting, it is Prince Albert who occupies her thoughts. Can she dedicate her life to saving her country when her heart belongs elsewhere? With lashings of glistening entrails, decapitations, and foul demons, this masterly new portrait will give a fresh understanding of a remarkable woman, a legendary monarch, and quite possibly the best Demon Hunter the world has ever seen . . .
A E Moorat weaves a seamlessly lurid tapestry of royal biography, gothic horror and fist-gnawing comedy as he lifts the veil on what really took place on the dark and cobbled streets of 19th-century England.
London, 1838. Queen Victoria is crowned; she receives the orb, the sceptre, and an arsenal of blood-stained weaponry. Because if Britain is about to become the greatest power of the age, there’s the small matter of the demons to take care of first…
But rather than dreaming of demon hunting, it is Prince Albert who occupies her thoughts. Can she dedicate her life to saving her country when her heart belongs elsewhere? With lashings of glistening entrails, decapitations, and foul demons, this masterly new portrait will give a fresh understanding of a remarkable woman, a legendary monarch, and quite possibly the best Demon Hunter the world has ever seen . . .
A E Moorat weaves a seamlessly lurid tapestry of royal biography, gothic horror and fist-gnawing comedy as he lifts the veil on what really took place on the dark and cobbled streets of 19th-century England.
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Reviews
Moorat has draped his very funny tale of the marauding undead over a solid frame-work of historical detail ... As with the Austen adaptations, it is the women who are bold and quick-witted enough to take on the monsters, a nice reversal of the passive victim role traditionally handed to young women, in horror as in history.
'Moorat infuses his tale with enough bravura and over-the-top action to lift it above a horde of similar projects; readers able to stomach the deliriously bloody goings-on will find plenty to enjoy' Starred Review, 'Pick of the Week'